Dodging Dues is a startlingly expansive record startling in part because its relatively short (seven songs, all but one hovering around the four minute mark), but also because it traverses so many moods and styles: languid and dreamy one moment, surging and intense the next.
Garcia Peoples (these days a six-person band) hit their stride a long time ago, but here they seem to be hitting a different one, working themselves loose of influences (though this tree has roots: traces of Thin Lizzy, of more arcane bits of U.K. folk-prog, of vintage Meat Puppets in some of the softer passages) while at the same time opening themselves up to their own individual strangeness, becoming ever more singular and ever more free.
